funtwo Redux

He’s no rock star, but a video ‘god’pdf

The rise of “Canon Rock” is a defining story of the digital age. Since it was posted in December 2005, the video has been seen roughly as many times as some of the top-selling albums have had copies sold worldwide, including the Eagles’ “Their Greatest Hits (1971-1975).”

It shows how user-generated websites such as YouTube have altered the way musicians learn, teach and exchange ideas, perhaps even changing the way we appreciate music.

See earlier Copying and Learning Within Internet (Sub)Cultures which links to the YouTube videos. You may also want to see some of the newer derivatives, which demonstrate the fundamental point of this article.

Also, in light of this last paragraph from the LATimes article:

Yet even Lim acknowledges getting a little sick of Pachelbel’s opus. “Sometimes I hear those opening notes, and I just go, ‘Oh no,’ ” he says.

don’t miss Rob Paravonian‘s Pachebel Rant

A Look at Internet Radio Royalties

Internet radio firms say royalties limiting choicespdf

Cedergren’s story is the nightmare scenario painted by many Internet radio companies who have claimed that the royalty hike would kill online broadcasting in its cradle. In fact, Internet radio is far from dead. Online broadcasters like Pandora and Live365 still serve millions of listeners. But the higher rates have driven away many small online broadcasters who say they can’t afford to stay in business. And even industry leader Pandora says it’s in trouble. “We’re at the very end of our tether,” founder Tim Westergren said. “There’s a very good chance that we will shut down.”

Critics of the royalty system say the result is decreasing musical diversity on the Internet. They warn of an online music industry dominated by the same giant media companies that presently dominate traditional radio broadcasting. And they point to CBS Broadcasting Inc.’s recent takeover of the Internet radio operations of Time Warner Inc.’s AOL as a harbinger of an Internet radio market rendered bland and predictable.

“They’ll push all of us out of business,” said Johnie Floater, general manager of media for Live365. “Your Internet radio is going to sound like your AM and FM.”

Related: Other music promotion avenues that are already tied up — TV scene stealer is new star of iTunes generationpdf

This week, the no-longer cult classic achieved loftier status. Its most popular cover version, released by the late Jeff Buckley in 1994, zoomed to number one on the iTunes download chart, thanks to that ultimate signifier of 21st-century ubiquity, a performance by an “American Idol” competitor. At the same time, Leonard Cohen, the song’s enigmatic 73-year-old composer, was inducted into the Rock and Roll Hall of Fame, serenaded with a version of the song by popular Irish balladeer Damien Rice.

“This is a watershed moment,” said Michael Barthel, a Syracuse University graduate student who last year presented an academic paper on the song’s staying power. “Every generation discovers ‘Hallelujah,’ and right now, a whole new generation of people is discovering it.”