Missed this: Senators Grill P2P Providers
[Sen. Ted] Stevens closed the hearing by threatening to introduce bipartisan legislation if P2P companies don’t do something to stop piracy on their networks.
“If you don’t do it, I’m going to move over and meet with Sen. Boxer on this,” he said. “We’ve got to find some way to meet this concept of protecting our intellectual property. We can hardly accuse the people abroad of stealing our intellectual property if we can’t protect it at home.”
The hearing site: Issues Related to MGM v. Grokster; Washington Post’s Senator Threatens Crackdown on File-Sharing Industry [pdf]
‘San Andreas’ Rocks the ‘Righteous’ [pdf]
So — the justification for this use of our tax dollars is that Take Two misled the public by promising a game featuring enough violence to make Sam Peckinpah blush, but instead sprinkled it with near-hardcore pornography. (I use “near” as there isn’t any display of genitalia, at least as far as I could see. And it’s a cartoon graphic, not real people…)
Good heavens, citizens! What’s going on here? Oh yes, of course, we’re getting all bent out of shape over nothing again. I keep forgetting that this is a proud American tradition, on the same display shelf as the controversy over “Darling Nikki” and the fuss over video games in general from the early ’80s. I bet some of the folks who thought our children’s brains were turning to mush over too much “Centipede” aren’t looking at it this way today.
I’m going to echo the refrain that you’d expect from thirtysomethings like me who don’t have children to protect: I don’t like the sex and violence of the GTA series. As a result, I do what anyone capable of making decisions does: I don’t play it.
An art review: A Medium in the Making: Slicing Familiar Films Into Something New
Movie-loving artists divide roughly into two groups, fans and users. The fans flock to films, or the nearest video rental store, for both respite and inspiration; they discuss and sometimes write about what they see with distinctive intelligence. Their numbers are legion; their apotheosis is probably Manny Farber, the artist who had a distinguished career as a film critic before turning to painting full time.
The users are such impassioned, if not addicted, cinephiles that movies become the central component of their art. Films are not just inspiration for these artists; they are raw material that can be appropriated, manipulated and reshaped into another work of art, with their names on the credit line.
[…] Still, “CUT” brings needed curatorial clarity to an expanding genre that is challenging to survey. The catalog provides an expansive backdrop by flanking Mr. Basilico’s lucid discussion of the works with essays by Rob Yeo, on the history of film appropriation in underground film (starting with Joseph Cornell), and by Lawrence Lessig, on the creative chill that recent changes in copyright law are bringing to the arts.
You come away from this show with a new sense of film as a found object; as an immense reservoir of untapped form and feeling; and as a highly charged raw material by which artists can celebrate, examine and stave off the deluge of images bearing down on us from all sides.