Lessig on Wilco [7:11 am]
Why Wilco Is the Future of Music
“Music,” he explained, “is different” from other intellectual property. Not Karl Marx different - this isn’t latent communism. But neither is it just “a piece of plastic or a loaf of bread.” The artist controls just part of the music-making process; the audience adds the rest. Fans’ imagination makes it real. Their participation makes it live. “We are just troubadours,” Tweedy told me. “The audience is our collaborator. We should be encouraging their collaboration, not treating them like thieves.”
He uttered this with the passion of a teacher explaining the most fundamental truths. Words echo in this poet’s mind many times before they are spoken. These words had echoed many times before. But when I asked him to explain the extremism in this war, passion faded and disbelief took its place. Commenting on a court decision to ban all music sampling without a license, he said one word: racism. And he seemed genuinely confounded by those who use the courts to punish their fans. “If Metallica still needs money,” he almost whispered, “then there’s something really, really wrong.” He would protest this extremism, he explained, by living a different life. By inviting, by creating, by inspiring music, and by ignoring wars about plastic.
If this war is to end, it needs authentic voices. We have had enough preaching. The outrage is beginning to wear thin. It will take bands like Wilco, who live a different example and whisper an explanation to those who want to hear. Peace takes a practice. One that only artists can make real.
Some earlier Wilco: Interview with Wilco’s Jeff Tweedy; other Furdlog posts

