August 31, 2004

Pre-emption Strategies [10:33 pm]

From Foreign Policy: Preempting Piracy [via I/P Updates]

First, it was raiding ships on the high seas. Then, with the advent of the information age, it was copying and downloading films and music. Today, the new frontier of piracy is “biopiracy,” when companies in wealthy nations patent indigenous medical and cosmetic remedies that have been used for centuries in poor countries. In 1999, for instance, New Jersey-based Pure World Botanicals obtained U.S. patents on aphrodisiacs derived from maca, an Andean plant Peruvians have long used to bolster fertility. The value of the U.S. market for maca-derived products was estimated to be more than $20 million in 2003.

Hoping to prevent wealthy corporations from staking claim to traditional remedies, some nongovernmental organizations and even a few governments are cataloging indigenous medicines and plant species in online databases. The American Association for the Advancement of Science maintains a database at shr.aaas.org/tek that is open to traditional knowledge holders who want to preempt patenting by others. Links to similar databases can be found on the Web site of the World Intellectual Property Organization (www.wipo.int/tk/en).

Some intellectual property experts, however, doubt that databases can prevent biopiracy. [...]

[...] [Devinder] Sharma says that instead of relying on databases of traditional knowledge, developing countries should follow the example of China’s government, which has secured around 12,000 patents on its own traditional medicines.

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Skylink Upheld [9:58 pm]

Landmark Federal Circuit Decision in Skylink Case Creates DMCA Balancing Test. The opinion can be found at the EFF site for the case: Chamberlain Group, Inc. v. Skylink Technologies, Inc.

I haven’t had a chance to read it yet, but see Ernest’s take, above. Jason Schultz pulls some salient quotes over at CopyFight: Skylink Wins! Fed. Cir. shoots down Chamberlain’s DMCA claim

From Ernest:

The decision includes a lengthy, at times inspiring, at times frustrating, analysis of the purpose and structure of the DMCA anti-circumvention provisions. In the end, the court determines that a strict construction of the statute would lead to absurdities as many of the DMCA’s critics have argued.

Later: BoingBoing’s Garage door openers aren’t copyrighted, don’t get DMCA protection; EFF’s DeepLinks DMCA Doesn’t Lock Garage Doors, Fed. Circuit Affirms; Derek’s Skylink Wins and so too might DMCA Reform Advocates; Ernest’s survey: Commentaries on the Federal Circuit’s Skylink Decision

Later: Declan McCullagh at CNet - Judges OK garage door openers in copyright case

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Huh? [9:04 am]

Some questionable economics and policy expressed in this statement by the chairman of the FCC, raising the real question — why should telephones get century-old regulation anyway? And how is monopoly and deregulation consistent with lower prices? High Court Petitioned on Cable Net Access Rule [pdf] [via GigaLaw]

In the past year, the U.S. Court of Appeals for the 9th Circuit in San Francisco has ruled twice that the Federal Communications Commission erred when it allowed cable companies to bar rivals from their networks. However, those decisions have been put on hold while the Bush administration considered its options. If the Supreme Court rejects the Justice Department’s appeal, cable companies would be required to share their lines with rivals, potentially creating more choice for consumers and a vast new market for independent Internet service providers.

FCC Chairman Michael K. Powell issued a statement yesterday praising the administration’s decision. He argued that if the lower court’s ruling stands, the FCC will be forced to treat cable Internet service under the same regulatory framework that applies to the telephone industry. “Applying taxes, regulations and concepts from a century ago to today’s cutting-edge services will only stifle innovation and competition,” Powell said in a prepared statement.

“A successful appeal of this case would ultimately mean lower prices and better service for American consumers,” Powell said.

Rival Internet service providers were critical of the administration’s decision. “They are just delaying the inevitable,” said Dave Baker, EarthLink Inc. vice president of law and public policy. “Instead of fighting to protect cable monopolies, the FCC should recognize that cable modem and other broadband users deserve choice in high-speed Internet providers.”

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Fallout From Valenti Interview [8:44 am]

I posted a link to TechDirt’s citation of a recent Jack Valenti interview, and the degree to which he continues to push his Welansschaung. Today there’s a Slashdot discussion with some great comments, particularly touching upon how the issue of access has become enmeshed with the issues of copyright in a digital world — and how a failure to recognize the distinction is leading to a host of problems:

Back ups=illegal? (Score:4, Insightful)

by portnux (630256) on Tuesday August 31, @06:36AM (#10116266)

When you buy a DVD you are buying the media AND the right to watch it. When the DVD is damaged, you still have the right to watch, although now it’s unwatchable. Your money bought you both a tangible and an intangible product. You make a backup you are only protecting your right to the intangible product that you paid for. If jack valenti or anyone else wants to deprive you of that right they are stealing from you. I don’t know when the systems of the world shifted to the point where consumers stealing from companies are criminal but companies stealing from consumers is just plain good business, but I for one don’t like it. But who knows, maybe my opinion would change if I was on the other end of all this stealing. :/


You have been brainwashed (Score:5, Insightful)

by Pan T. Hose (707794) on Tuesday August 31, @07:36AM (#10116480)

(http://plato.stanford.edu/ | Last Journal: Wednesday June 16, @04:52PM)

When you buy a DVD you are buying the media AND the right to watch it. [emphasis added]

You have been apparently indoctrinated with a great success, but the fact is that you don’t need any special “right to watch” a movie, like you don’t need any “right to read [gnu.org]” a book, at least not yet. The only thing that the copyright law regulates is the right to publish and distribute, not any magical “right to see” which would somehow make illegal the very act of merely looking at publicly available things, which would be completely ridiculous. Please do not spread the FUD. The scums like Jack Valenti want us to think that way, but it does’s make it true. Please try to keep that in mind. This is actually extremely important because if all of people think like yourself, then no one will protest when corporations finally put it into law, because everyone will think it has always been that way, which is simply not true. I wouldn’t have even answered to this post but it was moderated as Score:5, Insightful so apparently there are more misinformed people here.

See also Ed Felten’s dissection of the interview: Valenti’s Greatest Hits; Derek’s It’s a Kind of Magic

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Digital Distribution to Cinemas: Progress Report [8:14 am]

Digitizing the multiplex

A technology consortium called the Digital Cinemas Initiatives (DCI), created by the major Hollywood studios in early 2002, is finally nearing completion on a set of technical recommendations that is intended to rally the industry around a single technological standard. A few details remain to be completed, largely dealing with securing the files against unauthorized copying while in the theater. But the fundamental technology specifications, based on the JPEG 2000 video format, have now been chosen.

The DCI’s work is expected to be endorsed relatively rapidly by official film standards-setting bodies. Equipment makers such as Texas Instruments and Sony are already scrambling to make projectors and network equipment that complies with the group’s early specifications.

Studios see this as a multimillion-dollar boost to their bottom line. Today they create a film print for every screen that shows one of their movies–about 36,000 theaters in the United States and 150,000 worldwide–at an estimated cost of about $1,000 per print. Indeed, by some industry estimates, the film industry spends close to $800 million every year on printing and distributing film alone.

[...] Industry observers say the fact that studios have been able to agree on a new technology is a tribute to how desperately they want the shift.

[...] The new technology standard could leave at least one major digital media player on the sidelines: Microsoft.

[...] For their part, theater owners believe that the studios will likely bear at least part of the costs of installing digital projectors. In Fithian’s words, the studios’ fund would pay theater owners for a “Chevy” of a digital system. If an owner wanted a “Jaguar,” that money would have to come from the owner’s own pockets.

Theater owners have longer-range worries, however. They’re used to maintaining low-tech film projector systems that last for decades. They want equipment that won’t substantially increase their maintenance expenditures and be simple enough to be operated by minimum-wage high-school projectionists. Most of all, they want to ensure that they don’t buy an expensive upgrade that–like many other products marketed by the high-tech industry–will be rendered obsolete in just a few years.

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August 30, 2004

An Old Discussion Gets New Data? [10:02 pm]

Death of high street CD is overplayed, research claims [pdf]

FEARS that internet piracy is harming the music industry are overplayed, according to new research which claims that illegally downloaded songs will take years to eclipse the market for CDs.

The survey by Entertainment Media Research (EMR), a market analyst, reveals that internet music pirates buy more CDs from the high street than most other internet-savvy consumers.

The study found that the most prolific online pirates bought 21 per cent more CDs than the average among such consumers. Some 86 per cent of music pirates say they still prefer their songs bundled as albums. The most avid users of legal internet music stores, such as MyCokeMusic and Apple’s iTunes, bought 26 per cent more CDs than the average.

Patrick Johnston, a director of EMR, said that music pirates were also often “the music lovers”.

“Piracy is illegal and it’s clearly something that people shouldn’t do but in most cases it’s something that will help to put a track out into the marketplace,” he said.

[...] However, Peter Rupert, president of EMR, said: “Early signs suggest that legal downloading represents a major incremental business opportunity for the record labels.”

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Two From TechDirt [7:17 pm]

And Ernest was really on a roll today.

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TPP Orientation Today [8:12 am]

So that’s probably about it for postings until much later in the day…..

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Digital Music News on Digital Distribution [8:10 am]

Alternative Distribution Methods Gain Ground

Despite the influx of paid music stores in the past few years, most artists are still not receiving substantial online revenues. In 2003, digital services accounted for 1% of a $12 billion music industry in the US, according to figures from Jupiter Research. Although 2004 has been an incredible growth year on the digital end, most artists view the space as a revenue enhancer over more traditional income sources like CD sales and concert ticket receipts.

Against that backdrop, more artists are willing to experiment with alternative distribution methods. A new model that has gained attention recently is Shared Media Licensing`s Weed technology, which recently scored a success with classic rock duo Heart. The Weed system allows users to sample a track three times prior to purchase, and encourages listeners to pass songs around by sharing a percentage of the final purchase. The system uses Microsoft DRM technology.

For Heart, the experiment had interesting results, with total sales from Weed topping revenues from iTunes. Now, Sananda Maitreya, the artist formerly known as Terence Trent D`Arby, is taking the same route to distribute his latest release.

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Florida State Goes With iTunes [8:06 am]

So now Apple is getting into the university sales business: FSU cracks down on illegal file sharing and offers free music-swapping software [pdf] (via Digital Music News

University officials quickly realized they had a two-fold problem on their hand: Not only was the downloading traffic causing a jam for other data, such as research files, trying to get through, but FSU could become potentially liable for letting illegal activity filter through its bandwidth.

Now, two years later, FSU officials are breathing easier. New software allows them to pinpoint illegal activity in file packets going through the bandwidth - much like an X-ray machine at the airport. And the university is in final negotiations with Apple to bring free downloading software called iTunes to students. The software is free; each legally downloaded song will cost a student 99 cents.

[...] FSU’s Online Music Committee, led by Baker, considered Napster, as well as Cflix Music Service. The university decided to go with iTunes because the site license for FSU is free, he said. The iTunes will offer software for Macs and Windows.

Macworld: Florida State offers students iTunes

Related: Duke Enrollment Package: New iPod

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Posner on Uncertainty in Policymaking [7:54 am]

Closing Thoughts

What particularly strikes me in reading over the comments (not that I’ve been able to read carefully all of them) is the challenge of managing uncertainty. It is uncertainty that pervades the topics that I’ve touched on in my postings and that have provoked many of the comments. I started with IP, where the underlying uncertainty is that we just don’t know the social value of creating enforceable legal rights in intellectual property. In the case of physical property, we know or think we know that something like the present definition of rights, including such limited exceptions to private property rights as eminent domain, adverse possession, trespass by necessity (e.g., driving onto someone’s lawn in order to avoid a collision with another vehicle), forfeiture for nonpayment of taxes, rights of business invitees, etc., is economically optimal. We don’t have any grounds for similar confidence with respect to IP rights. To abolish them altogether would almost certainly be inefficient; likewise to expand them much beyond their present scope; but that leaves a vast middle area. I think there are some reforms that can be advocated without worrying too much about fundamental questions, like allowing unauthorized copying of old copyrighted works that have little or no commercial value, as evidenced by failure to register them; and maybe that’s where we should concentrate our efforts.

The uncertainty concerning the proper scope of IP rights is magnified by the onrush of technology. As I said, repeating a Lessig point, law is relative to technology; technology can disrupt a balance carefully struck by law. But if we have no clear sense of where the balance should be struck, this makes it difficult to know what stance to take with relation to encryption technologies that enable IP owners to obtain greater protection from copiers than IP law would give them.

I am distrustful of people who think they have confident answers to such questions.

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Another Letter At The NY Times [7:41 am]

Web Searches

To the Editor:

Matthew Hindman and Kenneth Neil Cukier (Op-Ed, Aug. 23) are right to worry that 95 percent of Web searches are conducted by two companies, now both publicly traded.But they are silent about what to do when the search for profit threatens the quality of information.

One possibility to consider is a nonprofit search engine, financed and maintained by federal, state or local governments. Public policies to guarantee that citizens receive the information they need are as old as the Republic.

A government-run search engine would be nothing more than an electronic version of the local public library, where public employees have long had the task of deciding what information is available to Americans.

Timothy E. Cook

Baton Rouge, La., Aug. 23, 2004

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Spinning MS’ Pending Entry Into The Online Music Biz [7:13 am]

The Microsoft spin-meisters clearly got to the Globe with this article, Battle brewing on the digital music front [pdf], which positions Apple as the purveyor of the “proprietary” system, while Microsoft’s WMA is “platform agnostic.”

Details of Microsoft’s music offering are being kept under wraps until the official launch, expected this week. But even before it comes to market, the Microsoft music store promises to set up a head-to-head battle with Apple that recalls their jousting in the personal computer business. Much of the competition will be about rival formats and which format emerges as the dominant standard.

[...] Apple uses a proprietary digital rights management system, called Fairplay, to stop people from copying songs illegally. It licenses Fairplay only to manufacturers, like Hewlett-Packard Inc., that build digital jukeboxes compatible with the iPod. The copy-protection system has been used to prevent other companies from selling music that plays on the iPod or other devices from playing iTunes music.

Most of the other music players support Windows Media Player software, which Microsoft licenses to all comers. Microsoft, which doesn’t make its own hardware, is platform-agnostic.

“There’s a genuine format war shaping up, a standards war,” Bernoff said. “Apple basically says, ‘If you want to use our system, you have to create a player very similar to ours and we will control what you can and can’t do.’ For Microsoft, it’s far more important that their format be well established than that their music store becomes a success.”

The article is right, of course, that this is a battle of formats — but it fails to point out that the Windows Media format is at least as restrictive as the Apple format, and potentially far more so. Microsoft will certainly have learned from Sony not to make their player a solely Windows Media device, but it will be interesting to see just how restrictive their DRM system is — and how it is sold.

The NYTimes’ coverage is a little more deft, Can Microsoft Stomp iTunes With a Store of Its Own?, but it’s clear that there was an effort to put the “right” color on the pending store:

“Microsoft is going to have to do something to get people’s attention,” Mr. Bernoff said.

One way Microsoft will do that is by promoting the fact that song files from its service can be played on a wide range of portable music players, in contrast to iTunes, which works only with the iPod.

In a broad marketing campaign in conjunction with the debut of the new version of Windows Media and the music service, Microsoft is using the slogan “Plays for Sure,” a not-so-veiled dig at Apple’s more proprietary approach. That follows RealNetworks’ announcement last month that it had developed technology that allows users of its online music services to download songs to iPods, a move that riled Apple and led it to threaten legal action.

Digital Music News estimates Thursday will be the opening date (update)

Later: CNet News - MSN Music: It’s really about Windows

But for all the recent attention paid to digital music services like Apple’s iTunes, analysts say Microsoft’s entry is as much about Windows as it is about selling music.

“This is strategic to Microsoft, as one piece of the overall Windows story,” Jupiter Research analyst Michael Gartenberg said. “Microsoft needs to make sure that it can showcase all of its technology appropriately, reinforcing that vehicle as an up-to-date and extraordinarily competitive offering.”

Indeed, Microsoft faces barriers in its music business that no rival shares. From antitrust worries to the need to keep its software customers happy, its business will be a continual balancing act. The decision to go ahead with the store anyway underscores just how important digital media has become to the company’s future.

Later: The Slashdot discussion continues in this vein: Microsoft to Launch Online Music Store

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Boston Globe v. NYTimes on Grokster [7:05 am]

Today’s Boston Globe places their editorial board clearly on the side of those believing in the essential evil of file sharing in their commentary on the Grokster decision, laying the groundwork, I fear, to support Hatch’s execrable IICA: Copyright breach [pdf]

“The Supreme Court has admonished us to leave such matters to Congress,” the judges of the Ninth Circuit declared in affirming a lower court’s decision. They referred to the 1984 Betamax case, in which the high court ruled that use of videotape recorders to time-shift TV shows did not violate copyright law in the absence of a congressional prohibition.

Time-shifting, in which a TV program is taped for personal viewing later, is a far cry from the rampant copying of music files done through Grokster and other file-sharing services. The appellate judges did not dispute the plaintiffs’ contention that at least 90 percent of the material passing through Grokster software is illegally copied.

The judges contend that the remaining 10 percent constitutes substantial legal use as defined in the Betamax decision. That is a stretch. VCRs are most commonly used either to time-shift TV programs or to play movies that are legally copied and provide billions of dollars in revenues to the movie industry. Grokster and other file-sharing services pay royalties to no one.

[...] Grokster is carefully tailored, like Napster, to enable users to find the songs and performers they want, and there are no mechanisms in the software to inhibit copyright violation. Grokster generates advertising income based on its ability to attract users who routinely share copyrighted material without permission. The court should have considered the obvious intention of the software as well as its architecture.

Over at the Globe’s parent corporation, The New York Times, we get this instead: Grokster and the Information Exchange

The legal battles over file-sharing are usually construed as a fight over intellectual property rights, plain and simple. On one side are copyright owners, including songwriters and artists as well as the major recording companies and movie studios. On the other side, a handful of advocacy groups and a legion of file-sharers bent on nothing more than outright theft of copyrighted music and movies. The short title of a recent appeals decision says it all: Metro-Goldwyn-Mayer v. Grokster.

But the broader issue is the distribution of information. Software like Grokster creates a network of independent Internet users who can access one another’s computer files without going through a central server. (Napster maintained a central server, which made it legally liable in very different ways.) Grokster can certainly be used to swap music illegally. But it can also be used to exchange electronic copies of books already in the public domain, transcripts of Congressional hearings or any number of other legitimate types of information. Much like a VCR that does not distinguish between a pirated tape and one legally acquired, the technology does not care what is shared. It is impossible to strike down software like Grokster for its use in illegal file-sharing without also destroying its capacity for legal and socially beneficial activities.

This distinction lies at the heart of a recent Ninth Circuit appeals court decision, which upheld a ruling in favor of Grokster and against an army of corporate copyright owners. This decision does not make illegal file-sharing legal. But it implicitly raises a question central to most copyright battles. Is society better served by restricting or even prohibiting new technologies to protect the rights of copyright owners or is there a greater good in the widest possible exchange of information? The resolution lies somewhere in the middle. Finding it, as the court acknowledges, is properly left to Congress.

These are thorny issues indeed. Freedom of information is at the root of American democracy, and yet every day we see that freedom being compromised, controlled and limited. The Grokster decision is a ruling in favor of keeping our bets open about which technologies will turn out to serve our freedoms best.

While this demonstrates the benefits of having multiple outlets, allowing a company to take opposing sides in a debate, I feel a little anxious reading both of these. Note that, in either case, the Congress is cited as the ultimate arbiter of this issue — are both these editorial boards aware of something about Senator Hatch’s plans for the fall that the rest of us do not yet know?

On the other hand, the editorial page also includes this letter to the editor: Paying for a Song, Online.

Note that Ernest takes the NYTimes’ recent editorial efforts at face value — I just hope he’s right (and I’m mighty impressed that he was posting at 2:00AM today!!): New York Times Editorial Board == Copyfighters; see also Scrivener’s Error

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August 29, 2004

Culmination of a Depressing Day [5:58 pm]

So, after electing to mark the eve of the Republican National Convention by going to see the thoroughly depressing Fahrenheit 911, followed by finishing Neil Gordon’s The Company You Keep, I come back to find this Slashdot story: Bikes Against Bush Creator Busted (citing Activist bike creator Joshua Kinberg arrested — see also the BoingBoing entry)

Furdlog’s bikesagainstbush story: Political Expression

Later: Wired News’ coverage: Cops Put Brakes on Bike Protest

Later: Derek cheered me up, though — too bad I don’t do PayPal

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August 28, 2004

WIPO Broadcast Treaty [3:20 pm]

Broadcast Treaty Battle Rages On

An international treaty to give broadcasters the right to control who may record, transmit, or distribute their signals is reaching a crucial stage of negotiation by the World Intellectual Property Organization in Geneva.

The current draft (PDF) incorporates many proposals, but the main ones most countries agree on give broadcasters 50 years’ worth of legal control over the recording, retransmission, and reproduction of their broadcast signals. These rights are separate from those of the owners of the actual content being broadcast.

[...] The idea that broadcasters should have rights enabling them to combat signal piracy is relatively uncontentious. Opponents such as the Electronic Frontier Foundation and the Union for the Public Domain are concerned, however, that broadcast rights might lock up materials that should be freely available to the public.

Cory Doctorow, the London-based European Affairs Coordinator for the EFF, highlights two additional sources of worry. First, the US, represented in Geneva by the Patent Office, is demanding that the treaty include webcasting. If that proposal should pass, broadcast rights could apply to anything downloaded from any Web site, making it impossible to be sure whether even open-source software wasn’t covered.

Second, Doctorow said, one proposal in the draft treaty requires that receivers, defined as any device that can decrypt broadcasts, must incorporate technology to protect those broadcasts. As currently drafted, he believes that would include general-purpose computers.

See Ernest’s criticisms in Explain to Me Again Why We Need the Broadcast Flag Treaty

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Posner on the 9/11 Report [3:11 pm]

The 9/11 Report: A Dissent

The narrative points to something different, banal and deeply disturbing: that it is almost impossible to take effective action to prevent something that hasn’t occurred previously. Once the 9/11 attacks did occur, measures were taken that have reduced the likelihood of a recurrence. But before the attacks, it was psychologically and politically impossible to take those measures. The government knew that Al Qaeda had attacked United States facilities and would do so again. But the idea that it would do so by infiltrating operatives into this country to learn to fly commercial aircraft and then crash such aircraft into buildings was so grotesque that anyone who had proposed that we take costly measures to prevent such an event would have been considered a candidate for commitment. [...]

So the report ends on a flat note. But one can sympathize with the commission’s problem. To conclude after a protracted, expensive and much ballyhooed investigation that there is really rather little that can be done to reduce the likelihood of future terrorist attacks beyond what is being done already, at least if the focus is on the sort of terrorist attacks that have occurred in the past rather than on the newer threats of bioterrorism and cyberterrorism, would be a real downer — even a tad un-American. Americans are not fatalists. When a person dies at the age of 95, his family is apt to ascribe his death to a medical failure. When the nation experiences a surprise attack, our instinctive reaction is not that we were surprised by a clever adversary but that we had the wrong strategies or structure and let’s change them and then we’ll be safe. Actually, the strategies and structure weren’t so bad; they’ve been improved; further improvements are likely to have only a marginal effect; and greater dangers may be gathering of which we are unaware and haven’t a clue as to how to prevent.

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August 27, 2004

A Look At The Spread Of Dean Campaign Strategies [8:27 am]

The Dean Machine Marches On

The Doctor is out, but his tactics are driving campaigns from Florida to Alaska.

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*This* Is Learning From Others’ Mistakes? [8:22 am]

Have e-books turned a page?

Hardware issues have become less prominent since publishers have been more willing to format e-books for the devices people already have with them–PCs, laptops and handheld computers. Instead, concern about illegal copying of material is emerging as one of the biggest roadblocks to e-book adoption. Publishers have tried a bewildering variety of digital rights management (DRM) schemes, ranging from books that expire in 60 days to hands-off approaches that rely on customer honesty.

Bad experiences with heavy-handed DRM have soured many potential customers on e-books, said Mike Violano, vice president and general manager of eReader, which equips its titles with a security key based on the credit card number used to purchase it. The approach give wide latitude to the original buyer while effectively thwarting illegal copying, he said.

“There are far too many standards and ways of doing things now, and that’s a source of frustration for customers,” Violano said. “If they have a bad e-book experience the first time, where they have trouble reading something they’ve paid for, it’s hard to get them back.”

Analyst Bedford said nervous publishers have emphasized security over opening new markets.

“There’s no good DRM, period,” she said. “Publishers all want heavy-duty DRM, but the problem is that anything you do gets in the way of buying and using e-books. My bias is to use a lot of psychological DRM. You put a price on it; you have statements…making it very clear you can use this as you would a print book, and you rely on the fact that by and large, most people aren’t out to break the law.”

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Derek and MS’ PR Push on Windows Media [8:15 am]

With DRM and the DMCA, Nothing “Plays For Sure”

With DRMed digital media, backed by the DMCA, nothing plays for sure. Please, somebody start THAT campaign, rather than playing these silly games. Your digital media is forever tethered to the DRM owners and relevant copyright holders. Your digital media plays the way they say it can be played, that’s for sure. But you will never truly be able to use your digital media however you want on whatever device you want - we will never see true interoperability.

Related: Slashdot’s Microsoft Portable Media Center Reviewed

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